Maori Identity Expression and Development in Once Were Warriors Essay

Maori Identity Expression and Development in one time Were Warriors - Essay ExampleI used the concepts and arguments from the following major theorists Murray and Conrich (2008), Barclay (1990), Pihama (1996), Alia and darn (2005) and Mita (1996). Murray and Conrich (2008) explore the meaning of original self-expression, while Barclay (1990) describes the sue and do of talk of the town in for autochthonal people. Pihama (1996) emphasises the importance of contextualising Maori violence in order to avoid ethnic stereotyping. Alia and Bull (2005, p.64) argue that as indigenous groups internalise outsider views and develop their own internal understanding of their societies, they are involved in the invention of tradition. Mita (1996) asserts that films provide the opportunity of decolonising themes. For this essay, I ask How does Once Were Warriors contrive the ideas of the indigenous self-expression (Murray and Conrich 2008), our own image and talking in (Barclay 1990), and d ecolonising the screen (Mita 1996)? Once Were Warriors reflects indigenous self-expression (Murray and Conrich 2008), our own image and talking in (Barclay 1990) by means of emphasising the remaking and reclaiming of the warrior Maori culture in different ways and decolonising the screen (Mita 1996) through reduce Western influences and focusing on the legitimacy of the hybrid Maori-modern culture. The paper concludes that Once Were Warriors signifies the remaking of Maori identity through the process of reclaiming their warriorhood status that simultaneously decolonises Maori identity development. ii. Reflexive Introduction I chose this film because it represents the breakdown of the indigenous social fabric, after village has scoured the cultural fabric of the colonised. As a person who has a strong sense of colonisation history and who value family and clan ties, I mickle relate to the impacts of colonisation and urbanisation on the social ties and identity-making of the Mao ri. Colonisation and its subsequent urbanisation and commercialisation effects have eroded the Maoris sense of identity, affecting not only their ethnic group as a whole, just besides their family roots and individual personalities. I am then interpreting the film, not only from the views and concepts of the aforementioned theorists, but also from my own family and social values and experiences, because I am someone who deeply respects and values collectivistic societies, of which I am also a proud part of. I continue to potently ground my analysis on scholarly research, nonetheless, through using textual analysis and semiotics that can help me attain a balanced perspective. iii. Background Introduction Since the early 1970s, a significant cultural shift is changing Maori representation in films, a shift called the Maori Renaissance (Keown 2008, p.197). Lee Tamahoris Once Were Warriors belongs to this shift, as it portrays the implications of one of the historical events in the M aoris lives, their migration from rural, coastal ancestral lands to Pakeha-dominated urban areas and the effects of this migration to their ethnic identity-making process and identities (Keown 2008, p.197). For this essay, I explore how the film reflects indigenous expression and decolonisation themes. My research question is How does Once Were Warriors reflect the ideas of the indigenous self-expression (Murray and Conrich 2008), our own image