Gabriel Garcia Marquez and "One Hundred Years of Solitude"

Considered by many to be the greatest Latin American author, Gabriel García Márquez encompasses the imagination of peasant reartlers and the talent of wandering(a) gypsies in his writing. Most famous for his celebrated epic fresh One Hundred Years of Solitude, this Colombian Nobel Prize curb is the father of a new literary genre called wizard(prenominal) sureism. With a touch of authenticity and a hint of fantasy, he creates a masterpiece. García Márquezs contribution to the literary homo distinguishes him as a subject noteworthy of study, for his work raises measurable questions of clip and cosmos.         By nockting the standard for magical trustworthyism, García Márquez prompts the reader to question what is real and what is unreal. In his work, he implies that our foundation of reality is tainted by pragmatism and that reality is a far cry from rationality. With a mixture of political simile and superstition, García Márquez combines the actu ality of journalism and the gist of folktale to set the tone for his writing. He confirms: The tone that I eventually practice in One Hundred Years of Solitude was bring in on the way my gran used to tell stories. She told things that sounded transcendental and fantastic, but she told them with complete naturalness... What was most important was the expression she had on her face.

She did not change her expression at all when interpret her stories and everyone was surprised. In previous attempts to write, I tried to tell the account without believing in it. I discovered that what I had to do was believe in them myself and write them with the same exp! ression which my granny knot told them: with a brick face. This technique is effective because it annihilates the distinction between the real and the fantastic, causing the reader to reconsider their perspectives on... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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